Pottery Costs 2026 / Batch 2026-04 Stoneware Mugs
Batch record with clay (25 lb stoneware) and glaze (Celadon + white liner) costs; attached clay and glaze receipts; the rolled cost-per-piece note.
For studio and production potters
Most potters can quote the price of a 25-pound box of clay, but very few can say what a single fired mug actually cost them — because the answer hides in two places at once. Part of it is material: the clay body and the glaze that went into the piece. The rest is the firing: the electricity or gas the kiln burned to bring a whole shelf of work to temperature, shared across every piece that rode in that load. Cash Workspace gives you a free place to keep both halves together. You record each clay-and-glaze batch, attach the supplier receipts, log the kiln firing that batch went through with its energy cost, and divide that firing cost across the pieces that came out. The result is one number you can finally price from: cost per piece. This page covers exactly that — batch material cost plus allocated firing energy, rolled to per-piece cost. It is organizational, not accounting or tax advice, and it is free.
The problem
A potter's cost lives in two layers that never line up neatly. Materials are bought in bulk — a box of stoneware, a bag of dry glaze chemicals, a jug of underglaze — but they get used across many pieces over many weeks. Firing cost is even slipperier: a single bisque or glaze firing might hold forty mugs or eight large planters, and the electricity meter does not care how many pieces are on the shelves. When you try to do this in your head, you either ignore the kiln entirely (and underprice everything) or guess a flat "firing fee" that has no basis in your actual power bill. The honest answer requires keeping the batch and the firing as separate, attached records and then doing the division on purpose, once, when the load comes out.
The batch-to-piece workflow
Here is a practical way to run a single batch through Cash Workspace, from the supplier receipt to a per-piece number you can put on a price tag. Each step is just creating or updating a record and attaching the proof — no automation, no math the workspace does for you, but a clean place to do it yourself and keep it.
Create a batch record — for example 'Batch 2026-04 Stoneware Mugs'. Note the clay used (e.g. 25 lb cone-6 stoneware), the glazes (e.g. 0.8 kg Celadon dry mix, one jar white liner), and the cost drawn from each. Attach the clay-supplier receipt and the glaze-chemical receipt so the figures trace to real documents.
Add a firing record for each kiln cycle the batch passed through — a bisque and a glaze firing are two records. Note the firing date, cone, kWh or gas used (read from your meter or kiln controller log), and the energy cost. Attach the relevant utility bill or a screenshot of the meter reading as proof.
In the firing record, note how many pieces shared that load and what share of the energy cost each piece carries. If a glaze firing cost $9 in electricity and held 30 mugs, that is $0.30 of firing per mug. Record the math in the note field so the next person (or future you) sees how it was derived.
Record how many pieces came out sellable versus lost to cracks or glaze faults. Spread the batch material cost and the allocated firing cost across the good pieces only, and write the resulting cost-per-piece into the batch record. That single figure — material share plus firing share — is your real floor for pricing.
Once the per-piece cost is recorded, file the batch into your fiscal-year folder and clone the layout for the next batch. Over time you build a row of batches you can compare — useful when clay prices rise or you switch to a cheaper glaze and want to see the effect on cost per piece.
Record structure
These are the metadata fields worth capturing so a batch's cost can be reconstructed later without guesswork. Split them between the batch record (materials) and the firing record (energy), then bring them together for the per-piece number.
Example setup
A simple structure that keeps materials, firings, and finished per-piece costs together for one studio. Clone the batch sub-layout for each new load.
Batch record with clay (25 lb stoneware) and glaze (Celadon + white liner) costs; attached clay and glaze receipts; the rolled cost-per-piece note.
Two firing records — 'Bisque Cone 04, Apr 12' and 'Glaze Cone 6, Apr 19' — each with kWh used, energy cost, load size, and an attached meter reading or power bill.
Separate batch with its own clay and glaze records, its own glaze firing log, and a higher per-piece cost reflecting fewer, larger pieces sharing the same firing.
Monthly electricity or gas statements filed here once, so any firing record can reference the bill it was costed against without duplicating the document.
Clay-supplier and glaze-chemical receipts grouped by purchase, so a batch record can link to the exact box or bag it drew from.
Finished batches whose per-piece cost is recorded and locked, kept for year-over-year comparison as clay and energy prices change.
Common mistakes
How it helps
Keep the batch's material cost and each firing's energy cost as separate records under one batch folder, so the per-piece roll-up always has both halves in front of it.
Attach the clay receipt, glaze-chemical receipt, and the power bill or meter reading directly to the record, so every cost number traces to a real document.
File closed batches into a year folder and line them up, making it easy to see how a clay price hike or a glaze switch moved your cost per piece.
Clone the batch-and-firing layout for each new load instead of rebuilding it, so a busy production run stays consistent record to record.
Related
The neighboring maker-cost approach for one input split into many outputs by yield percentage — useful contrast when your costing is yield-driven rather than batch-and-firing.
For makers whose cost is per single high-value piece with a deposit-and-balance trail, rather than a batch shared across a firing.
A per-item buy-restore-resell margin ledger for one-off pieces, a useful pattern if you also resell finished work or studio equipment.
If you sell your fired work across multiple market days, this covers stall-fee-versus-takings and spoilage tracking per venue.
How to sort studio spending — clay, glaze, kiln energy, tools — into consistent expense categories that feed your batch records.
Step up from per-piece cost to whether a commission or wholesale order made money once labor and overhead are weighed in.
The hub of step-by-step finance organization routines, if you want to see how batch costing fits beside invoicing, receipts, and year-end tasks.
FAQ
Cash Workspace is a free place to organize your batch material costs, kiln firing energy costs, and the per-piece figures you derive from them, with receipts and meter readings attached. It does not calculate costs for you, does not read your documents or meters, and does not sync with your bank, utility, or kiln. The cost-allocation method — how you split a firing across pieces or account for losses — is your decision, recorded here for your own reference. This is organizational guidance, not accounting, bookkeeping, or tax advice, and it does not replace your accountant.
Open a free Cash Workspace and set up your first batch folder — clay and glaze receipts on one side, the kiln firing on the other, and a real cost per piece at the end. No bank connection, no spreadsheets to maintain, just organized records you control. Questions? Reach the team at info@helperg.com.